The World Reduced to 100 People

What if the world were reduced to 100 people and the demographic breakdown were based on the way the world is today? 

If the Earth population were a small community of 100 people, it would look something like this:

Sex:
50 men
50 women

Population by continent:

61 Asians
12 Europeans
8  North Americans
5  South Americans
13 Africans
1 Australian

Religion:
33 are Christian
21 are Muslim
13 are Hindus
11 are not religious
6 are Buddhist
3  are atheists
1  is Jewish
1  is Sikh
11 people practice other religions

The Economy:
41 live without basic cleaning
47 live in an urban area
6 people have 59% of the total fortune
20 people own 75% of the entire world’s income
18 live without a potable water source
18 people fight to survive with less than $1 or per day
53 people fight to survive with less than $2 or per day

Food:
14 are hungry or malnourished

Education:
14 cannot read
7 have secondary education
12 have a computer
3 have connection to Internet

Health:
1 adult between 15 and 49 years has AIDS
9 are disabled or incapacitated people

What if the Planet Today Were a Village?

The village would use more than $1.12 trillion in military expenses
The village would use only $100 billion in aid and development

If you have food in your refrigerator, clothes in your locker, ceiling on your head, and have a bed for sleeping, you are richer than 75% of the whole population of the world
If you have a banking account you are one in 30 and one of the richer people in the world

This it is an interesting summary of a presentation from TheMiniatureEarth

The message here is a simple one – that we must value what we have. If you are reading this message it because you are one of the 3 people in this village that has connection to Internet.

Food for thought.

I’m Going for Tea in China

While coffee is my main choice of beverage, I do enjoy a good cup of tea.  For these people, it must be an obsession…

Let's go have tea. We'll take a mountain stroll in China first. We'll start by taking the tram up to the start of the trail...

Now follow the path...

Be sure to hold on to the railing

Continue reading »

Wherever I May Roam ~ Metallica

Metalica was formed in 1981 when drummer Lars Ulrich posted an advertisement in a Los Angeles paper called The Recycler looking for musicians who were interested in forming a band.

The original members consisted of Ulrich, James Hetfield, Dave Mustaine and Ron McGovney. Mustaine and McGovney were later kicked out of the band and replaced by Kirk Hammet and Cliff Burton. Burton was killed when the tour bus skidded out of control and was later replaced by Jason Newsted, who eventually was replaced by Robert Trujillo.

Metalica is considered the pioneer of “thrash metal”, and some critics consider their 1986 release of Master of Puppets to be one of the most influential and heavy “thrash metal” albums.

Wherever I May Roam

Wherever I May Roam” is a song by the American heavy metal band Metallica.

All stringed instruments featured in this song, both guitars and basses, are tuned in the standard tuning of E A D G B E. The original recording of the song is notable for its interesting instrumentation: Asian instruments such as a gong and sitar feature, along with an overdubbed Warwick twelve-string bass (as mentioned by the bassist Jason Newsted on the Classic Albums: Metallica – Metallica DVD). This instrument was only used for ‘effect’ during the intro to emphasize several accented notes and that a standardly tuned 4-string bass was used as the main bass instrument throughout the remainder of the recording.

The song is performed frequently during the band’s live concerts, and was performed with the San Francisco Symphony Orchestra (conducted by Michael Kamen) on the live S&M and its companion DVD. When performed live, the band has always relied on their original sitar recording for the intro (the band enters on the first accented note to dramatic effect), however for the S&M concerts guitarist Kirk Hammett utilised a Danelectro electric sitar for the intro before switching to his ESP electric guitar. Jason Newsted never reprised his use of the 12-string bass guitar for any live performances of the song.

http://djallyn.org/media/metallica-wherever-i-may-roam.mp4

(And the road becomes my bride)

And the road becomes my bride
I have stripped of all but pride
So in her I do confide
And she keeps me satisfied
Gives me all I need

And with dust in throat I crave
Only knowledge will I save
To the game you stay a slave

Rover, wanderer
Nomad, vagabond
Call me what you will

But I’ll take my time anywhere
Free to speak my mind anywhere
And I’ll redefine anywhere

Anywhere I roam
Where I lay my head is home

(And the earth becomes my throne)

And the earth becomes my throne
I adapt to the unknown
Under wandering stars I’ve grown
By myself but not alone
I ask no one

And my ties are severed clean
Less I have the more I gain
Off the beaten path I reign

Rover, wanderer
Nomad, vagabond
Call me what you will
Yeah, you wi-i-i-ill

But I’ll take my time anywhere
I’m free to speak my mind anywhere
and I’ll take my time anywhere

Anywhere I roam
Where I lay my head is home
heh-yeah

But I’ll take my time anywhere
I’m free to speak my mind
And I’ll take my time anywhere

Anywhere I may roam
Where I lay my head is home
That’s right

But I’ll take my time anywhere
I’m free to speak my mind anywhere
And I’ll redefine anywhere

Anywhere I may roam
Where I lay my head is home

Carved upon my stone
My body lies, but still I roam,
Yeah yeah!

Wherever I may roam
Wherever I may roam
Woah

Wherever I may roam
Wherever I may roam
Yeah!

Wherever I may wander, wander, wander
Wherever I may roam

Yeah, yeah, wherever I may roam

Yeah, yeah, wherever I may roam
Wherever I may roam
Wherever I may roam

  • Audio from the 1991 album, Metalica S&M:

Click to Purchase

Castles Made of Sand ~ Jimi Hendrix

jimi-hendrixJimi Hendrix was an American guitarist, singer and songwriter whose guitar playing was influential on rock music. After initial success in Europe, he achieved fame in the USA following his 1967 performance at the Monterey Pop Festival. Later, Hendrix headlined the iconic 1969 Woodstock Festival.

Hendrix often favored raw overdriven amplifiers with high gain and treble and helped develop the previously undesirable technique of guitar feedback. Hendrix, along with bands such as Cream was one of the musicians who popularized the wah-wah pedal in mainstream rock which he often used to deliver an exaggerated pitch in his solos, particularly with high bends and use of legato based around the pentatonic scale. He was influenced by blues artists such as B. B. King, Muddy Waters, Howlin’ Wolf, Albert King, and Elmore James, rhythm and blues and soul guitarists Curtis Mayfield, Steve Cropper, as well as by some modern jazz. In 1966, Hendrix, who played and recorded with Little Richard’s band from 1964 to 1965, was quoted as saying, “I want to do with my guitar what Little Richard does with his voice.”

Carlos Santana has suggested that Hendrix’ music may have been influenced by his Native American heritage. As a record producer, Hendrix also broke new ground in using the recording studio as an extension of his musical ideas. He was one of the first to experiment with stereophonic and phasing effects for rock recording.

Hendrix won many of the most prestigious rock music awards in his lifetime, and has been posthumously awarded many more, including being inducted into the US Rock and Roll Hall of Fame in 1992 and the UK Music Hall of Fame in 2005. An English Heritage “Blue plaque” was erected in his name on his former residence at Brook Street, London, in September 1997. A star on the Hollywood Walk of Fame (at 6627 Hollywood Blvd.) was dedicated in 1994. In 2006, his debut US album, Are You Experienced, was inducted into the United States National Recording Registry, and Rolling Stone named Hendrix the top guitarist on its list of the 100 Greatest Guitarists of All Time in 2003.

Castles Made of Sand

The song is a melancholy meditation on thwarted plans. The first verse features a loving relationship reduced to conflict and social disgrace; the second verse recounts the death of a native American Indian boy who dreams of glory in battle, but is eventually killed in his sleep. The third verse presents a disabled girl who prepares for suicide, only to see a “golden winged ship passing my way”, which causes her to jump excitedly in her wheelchair. However: “it really didn’t have to stop – it just kept on goin’”. Each verse is followed by the chorus, which consists of slight variations on the line, “…and so castles made of sand fall in the sea, eventually…”.

The song is known for its intricate guitar solo, which is heard on the record played backwards.

A common interpretation of the lyric centres on the chorus and its metaphor of universal transience — “Castles made of sand fall in the sea eventually” — illustrated by specific cases in the verses, which suggest that not only love and ambition but also disease and fear, will fade and vanish.

Leon Hendrix, the younger brother of Jimi, has said that Jimi revealed privately to him that the song was about their family.  The first verse is their mother leaving their father Al for the final time. The second verse is referencing his Native American heritage and the stories his grandmother (a quarter Cherokee)  would tell him. The boy who played “war games in the woods with his Indian friends” is said to be Leon (as stated by himself), but could also be about Jimi. The third verse, by this account, channels Jimi’s memories of his mother Lucille in hospital suffering from liver disease, and wishing to die so she would suffer no more: “to her legs she smiled you won’t hurt me no more.” Lucille did have cirrhosis of the liver, but was recovering outside of Hospital, when she was admitted unconscious to hospital, where she died from a ruptured spleen caused by a blow from an unknown source, not a liver complaint as is often stated, although this was listed as a contributing factor on her death certificate. The song “Little Wing” is also about his mother Lucille, according to Leon, although in interviews he gave an alternate interpretation, most likely so he would not have to recount painful memories (it is widely known that Jimi didn’t like to recollect on his past to the public) Jimi himself said the song was about the Monterey Pop Festival personified as a girl.

Locals from the Moroccan town Diabat have claimed that the song title was inspired by the Bordj El Berod-watchtower ruin. This statement however is not likely to be true as Jimi stayed in Morocco in 1969 (Castles Made Of Sand was written in 1967).

http://djallyn.org/media/jimi-hendrix-castles-made-of-sand.mp4

Down the street you can hear her scream “you’re a disgrace”
As she slams the door in his drunken face,
And now he stands outside and all the neighbours start to gossip and drool.

He cries “Oh girl, you must be mad,
What happened to the sweet love you and me had?”
Against the door he leans and starts a scene,
And his tears fall and burn the garden green.

And so castles made of sand, fall in the sea, eventually.

A little Indian brave who before he was ten, played war games in
the woods with his Indian friends, and he built a dream that when he
grew up, he would be a fearless warrior Indian Chief.

Many moons passed and more the dream grew strong, until tomorrow
He would sing his first war song,
And fight his first battle, but something went wrong,
Suprise attack killed him in his sleep that night

And so castles made of sand, melts into the sea eventually.

There was a young girl, whose heart was a frown,
Because she was crippled for life, and couldn’t speak a sound
And she wished and prayed she would stop living, so she decided to die.
She drew her wheel chair to the edge of the shore, and to her legs she smiled

“You won’t hurt me no more.”
But then a sight she’d never seen made her JUMP AND SAY
“Look, a golden winged ship is passing my way”
And it really didn’t have to stop…it just kept on going.
And so castles made of sand slips into the sea,
Eventually

  • Audio from the 2010 album, Experience Hendrix: The Best of Jimi Hendrix:

Click to Purchase

Troglodyte (Cave Man) ~ Jimmy Castor Bunch

Jimmy Castor was an American pop and funk musician. He is best known as a fun disco/funk saxophonist, with his biggest hit single being 1972′s million seller, “Troglodyte (Cave Man)”.

Castor started as a doo-wop singer in New York. He wrote and recorded “I Promise to Remember” in 1956. Castor then replaced Frankie Lymon in The Teenagers in 1957 before switching to the saxophone in 1960. He had a solo hit with “Hey Leroy, Your Mama’s Callin’ You” on Smash Records in 1966. Castor also played sax on Dave “Baby” Cortez’s hit “Rinky Dink.” He formed the Jimmy Castor Bunch in 1972 and signed with RCA. As leader of The Jimmy Castor Bunch in the 1970s, and also as a solo artist, he has released several successful albums and singles. The group reached the peak of their commercial success in 1972 with the release of their album, It’s Just Begun, which featured two hit singles: the title track and “Troglodyte (Cave Man).

Castor continued the trend in 1975 with “The Bertha Butt Boogie” and later recorded “E-Man Boogie,” “King Kong,” “Bom Bom,” and “Potential.” The Castor band included keyboardist/trumpeter Gerry Thomas, bassist Doug Gibson, guitarist Harry Jensen, conga player Lenny Fridle, Jr., and drummer Bobby Manigault.  Thomas, who simultaneously recorded with the Fatback Band, left in the ’80s to exclusively record with them. Castor recorded as a solo performer from 1976 until 1988. He had one of his bigger hits in many years with a 1988 revival of “Love Makes a Woman,” which paired him with disco diva Joyce Sims. Castor had his own record label, Long Distance, in the 1980s.

Many of the group’s tunes have been heavily sampled in films and in hip-hop. In particular, the saxophone hook and groove from “It’s Just Begun” and the spoken word intro and groove from “Troglodyte” (namely, “What we’re gonna do right here is go back…”) have been sampled extensively.

Jimmy Castor died in 2012 from heart failure.

Troglodyte (Cave Man)

Troglodyte (Cave Man), originally released as “Troglodite”, is a 1972 funk song by the Jimmy Castor Bunch. It peaked at #4 on the R&B charts and #6 on the Billboard Hot 100. The song, especially the intro “What we’re gonna do right here is go back, way back, back into time”, has been heavily sampled in Hip Hop.

A character introduced in the song, Bertha Butt, (“One of the Butt Sisters”.) would be featured in many later Castor Bunch songs, including 1975′s “The Bertha Butt Boogie”.

The song is noted for its repeated falsetto line: “I’ll Sock it to Ya, Daddy!!”, Heard also once before in the song’s fade of the “Bertha Butt Boogie”.

http://djallyn.org/media/jimmy-castor-bunch-troglodyte.flv

What we’re gonna do right here is go back, way back…back into time.

When the only people that existed were troglodytes…cave men…
cave women…Neanderthal…troglodytes.

Let’s take the average cave man at home, listening to his stereo.

Sometimes he’d get up, try to do his thing. He’d begin to move, something like this:

“Dance…dance”.

When he got tired of dancing alone, he’d look in the mirror:

“Gotta find a woman gotta find a woman gotta find a woman gotta find a woman”.

He’d go down to the lake where all the woman would be swimming or washing clothes or something.
He’d look around and just reach in and grab one. “Come here…come here”.

He’d grab her by the hair. You can’t do that today, fellas, cause
it might come off. You’d have a piece of hair in your hand and she’d
be swimming away from you (ha-ha).

This one woman just lay there, wet and frightened. He said:

“Move…move”.

She got up. She was a big woman. BIG woman.

Her name was Bertha. Bertha Butt. She was one of the Butt sisters.

He didn’t care. He looked up at her and said:

“Sock it to me sock it to me sock it to me sock it to me sock it to me
sock it to me sock it to me sock it to me!”.

She looked down on him.

She was ready to crush him, but she began to like him. She said:

“I’ll sock it to ya, Daddy”.

He said: “Wha?”.

She said: “I’ll sock it to ya, Daddy”.

You know what he said? He started it way
back then. I wouldn’t lie to you. When she said “I’ll sock it to ya, Daddy”

He said “Right on! Right on! Hotpants!
Hotpants! Ugh…ugh…ugh”

  • Audio from the 1972 album, It’s Just Begun:

Click to Purchase

Texas ~ Chris Rea

Chris Rea is a singer-songwriter from Middlesbrough, England. His career started out in the mid-1970s with his debut album, Whatever Happened to Benny Santini? with a single peaking at number twelve on the Billboard Hot 100 in 1978 with a song called Fool (If you think it’s over), that was nominatate for a Song of the Year Grammy, but lost out to Billy Joel’s “Just the way you are”.

Chris Rea focused most of his attention to a European audience, but every now and then something would trickle over to the US. His album, Road to Hell, released in 1989 was one of those albums, that reached number one in the UK, but never really caught fire here in the US, reaching only number 107.

Texas

“Texas,” has been played through the years on Classic Rock/AOR radio stations in Texas, and is sometimes played as background music before Texas Rangers baseball games at Rangers Ballpark in Arlington.

http://djallyn.org/media/Chris_Rea-Texas.flv

Warm winds blowing
Heating blue sky
And a road that goes forever
Been thinking ’bout it lately
Been watching some TV
Been looking all around me
At what has come to be
Been talking to my neighbour
And he agrees with me
It’s all gone crazy
Well my wife returns from taking
My little girl to school
She’s got beads of perspiration
As she tries to keep her cool
She says That mess it don’t get no better
There’s gonna come a day
Someone’s gonna get killed out there
And I turn to her and say Texas
She says What?
I said Texas
She says What?
They’ve got big long road out there
Warm winds blowing
Heating blue sky
And a road that goes forever
I’m going to Texas
We got to get out of here
We got to get out of here
Well I got a little brother
Several meters high
Yea his built just like a quarterback
And he swears he’ll testify
he says he’s been to Texas
And that’s the only place to be
Big steaks, big girls, no trouble there
That’s the place for me
I’m going to Texas
I’m going to Texas
Watch me walking
Watch me walking

  • Audio from the 1989 album, The Road to Hell:

Click to Purchase

Come Together ~ Aerosmith

Aerosmith is an American hard rock band.

The origins of Aerosmith can be traced to the late 1960s in Sunapee, New Hampshire.Steven Tyler was a drummer and vocalist originally from Yonkers, New York, who had been in a series of relatively unsuccessful bands such as The Vic Tallarico Orchestra, The Strangeurs/Chain Reaction, The Chain, Fox Chase, and William Proud. In 1969, while vacationing in Sunapee, he met Joe Perry, who was at the time washing dishes at the Anchorage in Sunapee Harbor, and playing in a band called the Jam Band with bassist Tom Hamilton and drummer David “Pudge” Scott. This meeting would eventually lead to the formation of Aerosmith.

Hamilton and Perry moved to Boston, Massachusetts in September . There they met Joey Kramer, a drummer also from Yonkers, New York who had also known Steven Tyler, with whom he had always hoped to play in a band.Kramer, a Berklee College of Music student, decided to quit school to join the band. In October 1970, they met up once again with Steven Tyler, who had been a drummer and backup singer, but adamantly refused to play drums in this band, insisting he would only take part if he could be the frontman and lead vocalist.The others agreed, and Aerosmith was born. The band took the name Aerosmith, suggested by drummer Joey Kramer, after considering The Hookers and Spike Jones.

As said, the members of the band used to sit around every afternoon getting stoned and watching Three Stooges reruns. One day, they had a post-Stooges meeting to try to come up with a name. Kramer volunteered that when he was in school he would write the word Aerosmith all over his notebooks. The name had popped into his head after listening to Harry Nilsson’s album Aerial Ballet, an homage to Nilsson’s grandparents’ aerial circus act, that featured jacket art of a circus performer jumping out of a biplane. Initially, Kramer’s bandmates were nonplussed; they all thought he was referring to the boring Sinclair Lewis novel they were forced to read in high school English class. “No, not Arrowsmith,” Kramer explained. “A-E-R-O…Aerosmith.”

The band added Ray Tabano, a childhood friend of Tyler, as rhythm guitarist and began playing local shows. In 1971, Tabano was replaced by Brad Whitford, who also attended the Berklee School of Music and was formerly of the band Earth Inc. Other than a period from July 1979 to April 1984, the line-up of Tyler, Perry, Hamilton, Kramer, and Whitford has stayed the same.

Come Together

Come Together” is a song by The Beatles written by John Lennon  and credited to Lennon–McCartney. The song is the opening track on The Beatles’ September 1969 album Abbey Road.

The song’s history began when Lennon was inspired by Timothy Leary’s campaign for governor of California titled “Come together, join the party” against Ronald Reagan, which promptly ended when Leary was sent to prison for possession of marijuana.  It has been speculated that each verse refers cryptically to each of The Beatles (e.g. “he’s one holy roller” allegedly refers to the spiritually inclined George Harrison; “he got monkey finger, he shoot Coca-Cola” to Ringo, the funny Beatle; “he got Ono sideboard, he one spinal cracker” to Lennon himself; and “got to be good-looking ’cause he’s so hard to see” to Paul); however, it has also been suggested that the song has only a single “pariah-like protagonist” and Lennon was “painting another sardonic self-portrait”.

In 1973, “Come Together” was the subject of a lawsuit brought against Lennon by Big Seven Music Corp. (owned by Morris Levy) who was the publisher of Chuck Berry’s “You Can’t Catch Me”. Levy contended that it sounded similar musically to Berry’s original and shared some lyrics (Lennon sang “Here come ol’ flattop, he come groovin’ up slowly” and Berry’s had sung “Here come a flattop, he was movin’ up with me”). Before recording, Lennon and McCartney deliberately slowed the song down and added a heavy bass riff in order to make the song more original.  After settling out of court, Lennon promised to record three other songs owned by Levy.  “You Can’t Catch Me” and “Ya Ya” were released on Lennon’s 1975 album Rock ‘n’ Roll, but the third, “Angel Baby”, remained unreleased until after Lennon’s death. Levy again sued Lennon for breach of contract, and was eventually awarded $6,795. Lennon countersued after Levy released an album of Lennon material using tapes that were in his possession and was eventually awarded $84,912.96.

American hard rock band Aerosmith performed one of the first and most successful cover versions of “Come Together”. It was recorded in 1978 and appeared in the movie and on the soundtrack to the film Sgt. Pepper’s Lonely Hearts Club Band, in which the band also appeared. The single was an immediate success, reaching #23 on the Billboard Hot 100, following on the heels of a string of Top 40 hits for the band in the mid-1970s. However it would be the last Top 40 hit for the band for nearly a decade.

http://djallyn.org/media/aerosmith-come-together.mp4

Here come old flat top
He come groovin’ up slowly
He got joo joo eyeball
He one holy roller
He got hair down to his knee
Got to be a joker he just do what he please

He wear no shoeshine
He got toe jam football
He got monkey finger
He shoot Coca Cola
He say I know you, you know me
One thing I can tell you is you got to be free

Come together
Right now
Over me

He bag production
He got walrus gumboot
He got Ono sideboard
He one spinal cracker
He got feet down below his knee
Hold you in his arms yeah, you can feel his disease

Come together
Right now
Over me

He roller coaster
He got early warning
He got muddy water
He one mojo filter
He say one and one and one is three
Got to be good lookin’ ’cause he’s so hard to see

Come together
Right now
Over me

Come Together
Come Together
Come Together
Come Together
Come Together

  • Audio from the 1978 soundtrack album, Sgt. Pepper’s Lonely Hearts Club Band:

Click to Purchase

Fast Car – Tracy Chapman

tracy-chapmanBorn in Cleveland, Ohio, Tracy Chapman began playing guitar and writing songs at the age of eleven. She was accepted into A Better Chance, the national resource for identifying, recruiting and developing leaders among academically gifted students of color, which enabled her to attend Wooster School in Connecticut, and was eventually accepted to Tufts University.

In May 2004, Tufts honored her with an honorary degree of Doctor of Fine Arts, for her contributions as a socially conscious and artistically accomplished musician.

Fast Car

The song’s narrative is complex and evolving, telling a tale of generational poverty. The song’s narrator tells the tale of her hard life, which began when she quit school to look after her father, who was unable to work any longer- however, the mother decided to leave him, due to the fact that he was an alcoholic and that she wanted more out of life. Eventually, she decides to leave her small dead-end town with her partner in hopes of making a better life for themselves. Despite obtaining employment and being able to pay off the bills, they are ultimately unable to break the cycle, and her life begins to take an ironic twist when her own partner remains largely unemployed and becomes a heavy drinker who spends more nights at the bar with his friends than he does with his own children. Rather than abandoning him and her children (much like how her own mother did in her childhood), she vows that she’ll stay behind, claiming that she’s “got no plans and ain’t going nowhere”; but in saying this, she also gives her partner an ultimatum: decide whether to stay or “take his fast car, and keep on driving”.

http://djallyn.org/media/fast_car.flv

You got a fast car
I want a ticket to anywhere
Maybe we make a deal
Maybe together we can get somewhere

Anyplace is better
Starting from zero got nothing to lose
Maybe we’ll make something
But me myself I got nothing to prove

You got a fast car
And I got a plan to get us out of here
I been working at the convenience store
Managed to save just a little bit of money
We won’t have to drive too far
Just ‘cross the border and into the city
You and I can both get jobs
And finally see what it means to be living

You see my old man’s got a problem
He live with the bottle that’s the way it is
He says his body’s too old for working
I say his body’s too young to look like his
My mama went off and left him
She wanted more from life than he could give
I said somebody’s got to take care of him
So I quit school and that’s what I did

You got a fast car
But is it fast enough so we can fly away
We gotta make a decision
We leave tonight or live and die this way

I remember we were driving driving in your car
The speed so fast I felt like I was drunk
City lights lay out before us
And your arm felt nice wrapped ’round my shoulder
And I had a feeling that I belonged
And I had a feeling I could be someone, be someone, be someone

You got a fast car
And we go cruising to entertain ourselves
You still ain’t got a job
And I work in a market as a checkout girl
I know things will get better
You’ll find work and I’ll get promoted
We’ll move out of the shelter
Buy a big house and live in the suburbs

I remember we were driving driving in your car
The speed so fast I felt like I was drunk
City lights lay out before us
And your arm felt nice wrapped ’round my shoulder
And I had a feeling that I belonged
And I had a feeling I could be someone, be someone, be someone

You got a fast car
And I got a job that pays all our bills
You stay out drinking late at the bar
See more of your friends than you do of your kids
I’d always hoped for better
Thought maybe together you and me would find it
I got no plans I ain’t going nowhere
So take your fast car and keep on driving

I remember we were driving driving in your car
The speed so fast I felt like I was drunk
City lights lay out before us
And your arm felt nice wrapped ’round my shoulder
And I had a feeling that I belonged
And I had a feeling I could be someone, be someone, be someone

You got a fast car
But is it fast enough so you can fly away
You gotta make a decision
You leave tonight or live and die this way

  • Audio from the 1988 album, Tracy Chapman:

album-tracy-chapman

America ~ Simon and Garfunkel

THE “KATHY” SERIES

simon-and-garfunkelThe duo of Paul Simon and Art Garfunkel are American popular musicians known collectively as Simon & Garfunkel. They met in elementary school in 1953, when they both appeared in the school play Alice in Wonderland (Simon as the White Rabbit, Garfunkel as the Cheshire Cat). They formed the group Tom and Jerry in 1957, and had their first taste of success with the minor hit “Hey Schoolgirl”. As Simon and Garfunkel, the duo rose to fame in 1965 backed by the hit single “The Sounds of Silence”. Their music was featured on the landmark film The Graduate, propelling them further into the public consciousness. They are well known for their close harmonies and sometimes unstable relationship. Their last album, Bridge Over Troubled Water, was marked with several delays caused by artistic disagreements.

America

Kathleen Mary “Kathy” Chitty worked part-time selling tickets at the Railway Inn Folk Club in Brentwood, Essex, UK in 1964. She became the girlfriend and muse of Paul Simon when he lived in England in 1964 and 1965. She is referred to directly or indirectly in at least three of his songs.

Paul Simon and Art Garfunkel’s first album, Wednesday Morning, 3 A.M. was recorded in early 1964 and included the original acoustic version of The Sound of Silence. After the recording, Simon moved to England without Garfunkel. At this time folk music was becoming popular in England and Simon started working around the English folk clubs and coffee houses.

He met Kathy Chitty on 12th April 1964 at the very first English folk club he played at, the Railway Inn Folk Club in Brentwood, Essex. She was 17, he was 22 and they fell in love. Later that year they visited the US together, touring around mainly by bus. Kathy returned to England on her own with Simon returning to her some weeks later. When he was back in London he recorded the album The Paul Simon Songbook that included Kathy’s Song, and had a photo of Simon and Kathy on the cover. Also included in the album was another version of The Sound of Silence.

Although Wednesday Morning 3 A.M. was initially a flop, the version of The Sound of Silence on that album began to receive limited airplay, so the producer, Tom Wilson, without consulting Simon or Garfunkel, overdubbed the recording with electric guitar and base, and drums. This new version entered the US charts in September 1965. By the end of 1965 and for the first few weeks of 1966 it was at No. 1 in the US pop charts.

In September 1965, when Simon learned of the growing success of The Sound of Silence he felt the need to immediately return to the US to continue his career. Kathy was quite shy and wanted no part of the success and fame that awaited Simon. They split up.

References to Kathy in Paul Simon’s Songs

During the separation after Kathy returned home from the American trip, Paul Simon wrote “America”, clearly a love song to Kathy, that lays bare the extent to which he was missing her:

“Kathy, I’m lost,” I said, though I knew she was sleeping
“I’m empty and aching and I don’t know why”

During their separation he also wrote Kathy’s Song:

I gaze beyond the rain-drenched streets
To England where my heart lies.
My mind’s distracted and diffused
My thoughts are many miles away
They lie with you when you’re asleep
And kiss you when you start your day.

Simon wrote Homeward Bound sat at the  Ditton Railway Station, one of two stations located in the town of Widnes Ditton in Cheshire, England on Hale Road on the border between Ditton and Halebank. The station, on the London-Liverpool line, was closed to passengers on 27 May 1994. Now only the Widnes Railway Station remains. It is also widely interpreted that this song is also about Kathy:

I wish I was homeward bound
Home, where my thoughts escaping
Home, where my music’s playing
Home, where my love lies waiting
Silently for me.

After Paul Simon returned to America in 1965 they were not in contact for over 20 years. In 1986, during his success with Graceland he received a letter from her. In 1991, while on tour in the UK, Kathy and her family attended Simon´s show in Sheffield. In July 2004 Simon confirmed her attendance at the Old Friends Reunion Tour stop in Hyde Park.

Kathy is a very private person, all attempts by the press to cajole information or her whereabouts out of Simon have failed. As far as anybody knows, she is now a grandmother with three grown-up children and living in the Welsh mountains (where she has lived most of her life) working part-time at a technical college. Widnes station has a plaque commemorating the history of Homeward Bound. When this went missing a few years ago, Kathy was invited to unveil the replacement but she declined.

http://djallyn.org/media/simon_garfunkel_america.flv

“Let us be lovers we’ll marry our fortunes together”
“I’ve got some real estate here in my bag”
So we bought a pack of cigarettes and Mrs. Wagner pies
And we walked off to look for America

“Kathy,” I said as we boarded a Greyhound in Pittsburgh
“Michigan seems like a dream to me now”
It took me four days to hitchhike from Saginaw
I’ve gone to look for America

Laughing on the bus
Playing games with the faces
She said the man in the gabardine suit was a spy
I said “Be careful his bowtie is really a camera”

“Toss me a cigarette, I think there’s one in my raincoat”
“We smoked the last one an hour ago”
So I looked at the scenery, she read her magazine
And the moon rose over an open field

“Kathy, I’m lost,” I said, though I knew she was sleeping
I’m empty and aching and I don’t know why
Counting the cars on the New Jersey Turnpike
They’ve all gone to look for America
All gone to look for America
All gone to look for America

  • Audio from the 1968 album,  Bookends:

album-bookends

Uneasy Rider ~ Charlie Daniels

Charlie Daniels is an American musician known for his contributions to country and southern rock music.

Daniels is a singer, guitarist, and fiddler, who began writing and performing in the 1950s. In 1964, Daniels co-wrote “It Hurts Me” (a song which Elvis Presley recorded) with Joy Byers. He worked as a Nashville session musician, often for producer Bob Johnston, including playing electric bass on three Bob Dylan albums during 1969 and 1970, and on recordings by Leonard Cohen. Daniels recorded his first solo album, Charlie Daniels, in 1971 (see 1971 in country music). He produced the 1969 album by The Youngbloods, Elephant Mountain and played the violin on “Darkness, Darkness”.

His first hit, the novelty song “Uneasy Rider”, was from his 1973 second album, Honey in the Rock, and reached No.9 on the Billboard Hot 100.

During this period, Daniels played fiddle on many of The Marshall Tucker Band’s early albums: “A New Life”, “Where We All Belong”, “Searchin’ For a Rainbow”, “Long Hard Ride” and “Carolina Dreams”. Daniels can be heard on the live portion of the “Where We All Belong” album, recorded in Milwaukee, WI on July 11, 1974.

In 1974, Daniels organized the first in a series of Volunteer Jam concerts based in or around Nashville, Tennessee, often playing with members of Barefoot Jerry. Except for a three-year gap in the late 1980s, these jams have continued ever since.

In 1975, he had a top 30 hit as leader of the Charlie Daniels Band with the Southern rock self-identification anthem “The South’s Gonna Do It Again”. “Long Haired Country Boy” was a minor hit in that year. Daniels played fiddle on Hank Williams, Jr.’s 1975 album Hank Williams, Jr. and Friends.

Daniels won the Grammy Award for Best Country Vocal Performance in 1979 for “The Devil Went Down to Georgia”, which reached #3 on the Hot 100 in September 1979. The following year, “Devil” became a major crossover success on rock radio stations after its inclusion on the soundtrack for the hit movie Urban Cowboy. Daniels appeared in the movie. The song is by far Daniels’ greatest success, still receiving regular airplay on U.S. classic rock and country stations, and is well-known even among audiences who eschew country music in general. A hard rock/heavy metal cover version of the song was included in the video game Guitar Hero III: Legends of Rock as the final guitar battle against the last boss (Lou, the devil). Daniels has openly stated his opposition to the metal cover and the devil winning occasionally in the game.[2]

Subsequent Daniels pop hits included “In America” (#11 in 1980), “The Legend of Wooley Swamp” (#31 in 1980), and “Still in Saigon” (#22 in 1982). In 1980, Daniels participated in the country music concept album, The Legend of Jesse James.

In the late 1980s and 1990s, several of Daniels’ albums and singles were hits on the Country charts and the music continues to receive airplay on country stations today. Daniels released several Gospel and Christian records. In 1999 he made a guest vocal appearance on his song “All Night Long” with Montgomery Gentry (Eddie Montgomery and Troy Gentry) for their debut album, “Tattoos and Scars,” which was a commercial success.

Uneasy Rider

Uneasy Rider” is a 1973 song written and performed by Charlie Daniels.It consists of a narrative that is spoken rather than sung over a guitar melody and is sometimes considered a novelty song. It was released as a single and appeared on Daniels’ album Honey in the Rock which is also sometimes known as Uneasy Rider.

The narrator protagonist of “Uneasy Rider” is a long-haired marijuana smoker driving a Chevrolet with a “peace sign, mag wheels, and four on the floor.” The song is a spoken-word description of an interlude in a trip from a non-specified location in the Southern United States to Los Angeles, California. When one of the narrator’s tires goes flat in Jackson, Mississippi, he stops at a “redneck” bar where he encounters several local residents who question his manners, physical appearance, and choice of car. In order to extricate himself from a potential physical altercation, the narrator accuses one of the locals of being a spy, then escapes from the bar and drives away as soon as his tire is repaired.

The lyrics reflect cultural divisions in the Southern United States in the early 1970s between the counterculture of the 1960s and more traditional Southern culture. Unlike with most country music of the time, Daniels’ protagonist is a member of the counterculture. The narrator attempts to distract attention from himself and his appearance by proclaiming that one of the locals he encounters is an “…undercover agent for the FBI / and he’s been sent down here to infiltrate the Ku Klux Klan!” He continues with, “Would you believe this man has gone as far / As tearing Wallace stickers off the bumpers of cars. / And he voted for George McGovern for President.” He further states that the man is “…a friend of them long-haired, hippie-type, pinko fags! / I betcha he’s even got a Commie flag / tacked up on the wall inside of his garage.” The accused defends himself with “You know he’s lying I been living here all of my life! / I’m a faithful follower of Brother John Birch / And I belong to the Antioch Baptist Church. / And I ain’t even got a garage, you can call home and ask my wife!” The narrator slips outside, just in time to get to the mechanic he had phoned to repair his tire and hand him a $20 bill, and chases his redneck adversaries around the parking lot in his car. He finally decides to leave before the police arrive and muses, “I think I’m gonna reroute my trip / And I wonder if anybody’d think I’d flipped / If I went to L.A. via Omaha.”

Daniels’ counterculture attitude was consistent with that of others in the outlaw country music movement but is in contrast to his later right-of-center attitudes expressed in songs such as the 1989′s “Simple Man.”

http://djallyn.org/media/charlie-daniels-uneasy-rider.flv

I was takin’ a trip out to L.A.
Toolin’ along in my Cheverolet
Tokin’ on a number and diggin’ on the radio

Just as I crossed the Mississippi line
I heard that highway start to whine
And I knew that left rear tire was about to blow

Well the spare was flat and I got uptight
‘Cause there wasn’t a filling station in sight
So I just limped on down the shoulder on the rim

I went as far as I could and when I stopped the car
It was right in front of this little bar, a
Kind of a red-neck lookin’ joint called the “Dew Drop Inn”

Well I stuffed my hair up under my hat
And told the bartender that I had a flat
And would he be kind enough to give me change for a one

Well there was one thing I was sure proud to see
There wasn’t a soul in the place except for him and me and
He just looked disgusted and pointed toward the telephone

I called up the station down the road a ways and
He said he wasn’t very busy today
And he could have somebody there in just about 10 minutes or so

He said,” Now, you just stay right where yer at!”
And I didn’t bother to tell the dern fool
That I sure as hell didn’t have anyplace else to go

I just ordered up a beer and sat down at the bar
When some guy walked in and said, “Who owns this car
With the peace sign, the mag wheels and the four on the floor?”

Well he looked at me and I damn near died
And I decided that I’d just wait outside
So I laid a dollar on the bar and headed for the door

Just when I thought I’d get outta there with my skin
These 5 big dudes come strollin’ in
With this one old drunk chick and some fella with green teeth

Now I was almost to the door when the biggest one
Said, “You tip your hat to this lady, son!”
And when I did, all that hair fell out from underneath

Now the last thing I wanted was to get into a fight
In Jackson Mississippi on a Saturday night
Especially when there was three of them and only one of me

They all started laughin’ and I felt kinda sick
And I knew I better think of something pretty quick
So I just reached out and kicked old green teeth right in the knee

Now he let out a yell that’d curl yer hair
But before he could move I grabbed me a chair
And said “Now watch him Folks cause he’s a furly dangerous man!”

“Well you may not know it but this man is a spy.
He’s a undercover agent for the FBI
And he’s been sent down here to infiltrate the Ku Klux Klan!”

He was still bent over holdin’ on to his knee
But everybody else was lookin’ and listenin’ to me
And I laid it on thicker and heavier as I went

I said “Would you believe this man has gone as far
As tearing Wallace stickers off the bumpers of cars
And he voted for George McGovern for President.”

“Well he’s a friend of them long haired, hippy-type, pinko fags!
I betchya he’s even got a commie flag
Tacked up on the wall inside of his garage.”

“He’s a snake in the grass, I tell ya guys
He may look dumb but that’s just a disguise
He’s a mastermind in the ways of espionage”

They all started lookin’ real suspicious at him and
He jumped up and said “Now just wait a minute Jim!
You know he’s lyin’ I been livin’ here all of my life!”

“I’m a faithful follower of Brother John Birch
And I belong to the Antioch Baptist Church.
And I ain’t even got a garage, you can call home and ask my wife!”

Then he started saying somethin’ ’bout the way I was dressed
But I didn’t wait around to hear the rest
I was too busy movin’ and hopin’ I didn’t run outta luck

And when I hit the ground I was makin’ tracks
And they were just taking my car down off the jacks
So I threw the man a twenty and jumped in and fired that mother up

Mario Andretti woulda sure been proud
Of the way I was movin’ when I passed that crowd
Comin’ out the door and headed toward me at a trot

And I guess I shoulda gone ahead and run
But somehow I just couldn’t resist the fun
Of chasin’ them all just once around the parking lot

Well they’re headed for their car but I hit the gas and
Spun around and headed ‘em off at the pass
I was slingin’ gavel and puttin’ a ton o’ dust in the air

Well I had them all out there steppin’ and fetchin’
Like their heads was on fire and their asses was catchin’
but I figgered I’d better go ahead and split before the cops got there

When I hit the road I was really wheelin’
Had gravel flyin’ and rubber squeelin’
And I didn’t slow down till I was almost to Arkansas

Well I think I’m gonna reroute my trip
I wonder if anybody’d think I’d flipped
If I went to L.A., via Omaha

  • Audio from the 1973 album, Honey in the Rock, which later became Uneasy Rider:

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